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And these feelings of unresolved feelings of loss can be inherited by the children of these immigrants My mother, for a while, held onto the notion of having a physician daughter, long after I confronted her with my desire to pursue a degree as not as a medical doctor, but as a musicological doctor.

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During my fieldwork, I discovered that this particular parental expectation is, in fact, is a recurring trope among many of my musician-colleagues. Since the very first performance of Dzian! During the performance of this song, my mom and I exchange lines in a call and response, enacting the story depicted in the song lyrics about a young girl pleading her mother to buy her a guitar.

In performance, we enact our aspiration for keeping each other company. I put a boa feather around her and we sing arm in arm. Through the power of musical performance, we convince not only the audience but also ourselves of our close relationship. The crowd cheers on. We hug each other, both feather boa-clad , forging a musical harmony that seeps into our relationship offstage. And I know, to an extent, I have fulfilled the rock star dream that my mother probably has always had. My goal in this paper was to address, perhaps ambitiously, the practice of public scholarship as a scholar-performer, and to add to the theoretical conversation about critical positionality in ethnography Kisliuk ; Wong I have offered a set of narratives that illustrate my involvement as a scholar-performer in rock music performance.

I have explained how my music analysis and performance can act as a kind of post-fieldwork cultural work. This is beginning of my effort to depathologize racial melancholia, recontexualizing its association with the personal to consider it as a collective, social phenomenon. Racial melancholia is a structure of feeling and cultural impediments that have loomed over our existence.

If the cycle of performing, ethnographic writing, and then back to performing can relieve us from this matrix, let us continue to do so. Eng and David Kazanjian. Berkeley and Los Angeles, C.

The issue of passing impressed deeply upon my students. This question refers to the practical invisibility, historical and current, of Asian American artists within the music industry. Or should the artists address aspects of race and ethnicity in their musical output and image? One student argued for the latter.

She commented on the importance of contextualizing music with social meaning, ensuring that the right ethical messages are heard in the reception of music. Another student discussed the potential political work done by sheer visibility.


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She used the example of Obama: The iconicity of a minority president could empower minority individuals, especially among children. The MB won a Coca-Cola-sponsored contest while concealing their ethnicity. So the MB passed and excelled within the musical standards of hip-hop. But what does this mean in terms of race and ethnicity? Wong points out this space in her analysis, asserting that this passing is far from selling out.

She gives the MB credit for creating a social space for themselves in the industry. It implies a transcendence beyond a race-defined minority status into a majority status. What seems more useful in this example is perhaps the notion of musical passing — a form of aural expression that allows the sound-maker to be heard without being seen. Music allows the possibility of a colorblind reception: anyone can sound like anybody. Sound is not naturally bound to any race-related embodiment of phenotype, although artists make choices, deliberately or not, based on what they perceive as meaningful.

While sound may be meaning-ful, it mediates meanings.

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America Wasn’t a Democracy, Until Black Americans Made It One

This moment of semantic opacity is worthy of reflection. In writing, I have interpreted it as a gesture of refusal to pigeonhole oneself. A race-free sonority can be utopic for racial minorities.

Gilbert Hom - The State of Chinese America, UCLA Asian American Studies Center

For minority artists, the cage built by racial meanings is still looming. This cage imprisons individuals of color in the reception of their image. To utilize this race-free sonority is to sell out. It is a worry-free presence in comfort. Perhaps this liminality suggests a moment of agency in face of a world where conversations about race mostly exist as a subtext — where people skirt around the topic of race, where people only talk about race in accusatory or threatening moments of outburst.

So, how progressive is this sonic race-free liminality? Is it liberatory for only the artists?

Asian American And Asian Americans

How does this liberatory state translate itself in sonic reception? Is it merely a momentary state of self-indulgence considering the age-old fight for equality? Does an audio-scape create social change? But I think I will spend a long time trying to answer this question. To cover is to tone down a disfavored identity to fit into the mainstream. The notion of passing seems insufficient in capturing the complexity of how my informing musician-colleagues relate to the world.

Maybe they cover more so than pass. Most of the Alerts, unsurprisingly, point to stories related to U. To my disappointment, none of these news stories included anything substantial information with regards to the Asian American if there is such a thing perspective on the Obama and Biden duo. If so, how do we assess this content considering the methods of information retrieval, i.

Google Alerts, and the context of presentation, i. Today, my Google Alerts linked me to a couple of exciting pages of content-worthy materials related to Asian American arts and culture. A good content analyst would seek information about the playwright and this play. Before I jumped into my usual mode of performing a search on Google or Wikipedia search on Young Jean Lee, I slowed down and pondered about the path of information that allowed me to arrive at this intellectually compressed bit of information. Unfortunately, Asian America still exists, in the digital environment, mostly under a pile of diversity-bound laundry lists at best, or pornography and ads for mail-order brides or other forms of race-related sex industry, at worst.

The risk of being pigeonholed, tokenized, or even sexualized is no news to individuals of Asian descent in the United States. Asian people from Asia are even more brain-damaged, but in a different way, because they are the original monkey. I am so mad about all of the racist things against me in this country, which is America. Like the fact that the reason why so many white men date Asian women is that they can get better-looking Asian women than they can get white women because we.

This is intellectually dense, emotionally heavy stuff. Google Alerts prevent information from fossilization. Without Google Alerts, I would find this article somewhere down the line when I do archival search, plowing through databases for historical artifacts. The newness and immediacy of this information would be lost. The point is to honor that legacy and not commodify it, but also to learn from it. I think that America was invited to reconsider a lot of this in light of the ascent and success of Obama.

In fact, his alliance with African American culture and struggle speaks to a larger discourse about race in terms of minoritarian politics, quite contrary to the uncritical multiculturalist orientation. My research aims to track these moments deliberately and shamelessly, making links and disconnects among them as they occur in real time.

Information as such, categorized and recategorized based on similar or dissimilar terms, is generated and circulated at high volume daily on the Internet. Digital technologies allow discourse to flow in disparate, rhizomatic directions. The hypertextual state of Internet media is overwhelming to sort through, but this quality allows information to seep into unexpected cracks and generate surprising juxtapositions. Similar to keywords and tags, identity categories, also reproduce themselves in a semi-irrational, hypertextual fashion in our time.

These contradictory patterns as discovered in the digital environment may best represent the schizophrenic style of identity proliferation that would mark our post-identity-politics or post-Race age.

Introduction | Keywords for Asian American Studies

Then it asks them to post their analysis to the class blog. The class did a marvelous job discussing the representational politics of multicuturalism exuded by the classical music performance at the ceremony. In this section of the performance, the musicians, working in intimacy and collaborating with a performed lip-synched! Also, the reference to Appalachian Spring is no coincidence.

Associated with the American ideology of meritocracy or the American Dream, the themes of freedom and hard work, also are evoked by Obama during his inauguration speech. Yang finds these qualities in the present Asian American communities. For countless American-born Chinese like Jadin Wong, who occupied a marginal status in society, the question of identity was inescapable. Identity has remained a central preoccupation for Chinese Americans, given the delegitimization of traditional terms of reference, and of their cultural difference, by mainstream America.

Of Orphans and Warriors: Inventing Chinese American Culture and Identity provides a window onto the way in which American-born Chinese negotiated their identity over a span of several decades. The phrase "of orphans and warriors" underscores both the struggles and the opportunities unique to American-born generations. Like orphans, they came to occupy a marginalized position sandwiched between generations, cultures, languages, and geographies. Even as they resented being measured by the ethnicity standards of the immigrant generation, they also refused to succumb to American mainstreaming.

And while their doubly marginalized position as second-generation Chinese Americans easily became their "riverbanks of life," as described by Maxine Hong Kingston, delimiting their opportunities to. An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.